Chapter 11: Extremophiles

The final chapter, bookend to the opening one, “Letters from the Karst,” is the mother Meredith’s story. I think everyone comes together here, whether from the past when the girls were young or in Meredith’s journals about loss or in the current day, when all three horses make their reappearance. And Meredith is a caver, her cave needed to be big. I could have picked Mammoth Cave, but I needed something unfamiliar for Meredith to explore. That’s why I picked Lechuguilla at Carlsbad Caverns.

Since I am reading Dachner Keltner’s Awe: The New Science of Everyday Wonder at the same time I’m re-thinking Letters from the Karst, it’s probably no surprise that Meredith’s trip to Lechuguilla came to mind. I first learned of Keltner’s book when listening to Krista Tippett’s On Being, where she interviews him about his latest book. (If you don’t know On Being, it is the best podcast out there!) Here’s a link to her interview with Keltner, “The Thrilling New Science of Awe.”

Keltner writes,

Vastness can be challenging, unsettling, destabilizing. In evoking awe, it reveals that our current knowledge is not up to the task of making sense of what we have encountered. And so, in awe, we go in search of new forms of understanding.

This is precisely what happens to Meredith on her caving expedition. Due to a minor rockslide she is left dangling for longer than is comfortable. Although experienced and perhaps due to her being on the cusp of a change in her life preoccupations, no longer writing about the loss of her husband David and instead reflecting on place, Meredith is ready for an epiphany.

This cave was a great ear, and I could feel it pressing itself against my skin. I was terrified of plummeting hundreds of feet with a thin rope and a hand brake all that kept me from a fall that could be as easily up as down, so suspended space had become.In perfect darkness I waited, suspended in the great throat of the cave. My line turned me slowly and now I heard it. A breath, a low sigh, a loneliness so deep that it had lost the awareness of self that loneliness usually heightens. I reached my hand out and the sigh rose. My lips opened, and the sigh shot up from the depths.

Later, she realizes:

I had gone to see a different cave formation than the ones I grew up with in Kentucky. I wanted to step outside of what had become home. I have been there three times now and co-written two papers trying to help untangle the mysteries that fascinate us. It happened in the midst of writing that second paper, the sudden certainty that I was telling only half the story—the surface of life beneath the surface—and so I began writing travel pieces for non-academic magazines, essays about life in all its extremities.

Although I didn’t realize it at the time, what I was describing for Meredith is the experience of awe, which according to Keltner, “is the feeling of being in the presence of something vast that transcends your current understanding of the world” (7). Maybe “epiphany” should be the subtitle for Letters from the Karst. The characters all wake up from some depth of slumber, so their epiphanies may be mild, more like a twitch, or signficant, marking a radical new path. Perhaps this is also what happens when we experience “wonder.”

Public domain

Today’s post is quite a “quote-y” post, but I love the serendipity when what we’re reading, writing, or thinking about come together, and Keltner and Meredith belong together (with me).

You can order a copy of Letters from the Karst from your local bookstore or at Amazon, here.

Chapter 1: “Letters from the Karst”

This is the title story, told by the middle daughter, Cecily, along with a series of letter. This first chapter and the last one, “Extremophiles,” narrated by her mother, provide the bookends for the Collins family story. I won’t divulge anything that belongs to Cecily, so this will touch on other things.

Cecily has suffered from pretty severe substance abuse; the probable cause is divulged in her story. I have some experience with the intractability of addictive behavior, its seductions and high costs. My youngest son struggled throughout his teen years, spending most of his days in various institutions—special schools, incarcerations, treatment centers. Even when he was at home, he was on yard restriction and we went to weekly treatment and therapy sessions. When he was killed at age twenty, the autopsy declared his toxicology negative. His painful journey ended as he was making a turn-around, perhaps the one that would have set him on a better path. I am sure that Casey was in my thoughts when I wrote from Cecily’s perspective or about her in another chapter, which belongs to a former boyfriend, Derek (but more on him later). I tell Casey’s story along with my own and my family’s journey to healing in The Tree You Come Home To, which you can read about, under “Memoir.” (Here is a picture of Casey with his counselor Mr. Wright after he completed his time at Care Academy, about two hours from home, with his symbolic monkey around his neck.)

Cecily is the second of three girls born to Meredith and David. Her older sister, Diana, like so many oldest children, feels that she must bear the responsibility for her siblings’ well being. Because the younger sister, Molly, was born on the same day as Cecily, Cecily has always thought of Molly as belonging to her. In Letters from the Karst, this tight-knit group of siblings come to the fore and then recede as the other characters take their turns.

I think I was drawn to writing about siblings because I was an only child—at least I was raised as an only child, my three brothers and sister being raised by our father and their stepmother two states away. As a child I made friends with girls from big families (not coincidentally). One in particular, Barbara Dodson, shared the same birthday, which made us instant best friends. Her large family lived a block away and I remember being there whenever I could. I loved eating dinner with them at the end of a day of play. It was always hotdogs or canned spaghetti and I thought their meals were divine. I remember her uncle peering into the bottom of the TV screen to try to see into the cleavage of some actress. Male humor was completely foreign to me, living as I did with my mom, just the two of us. So writing Diana, Cecily, and Molly into being seemed to bring someone I already knew to life.

To order Letters of the Karst, request it from your local library or order from amazon, here.